Allan Holdsworth - VELVET DARKNESS (1976 CTI Records) US

De increible fusión e influencia entre John Mclaughlin y Jeff Beck llega este VELVET DARKNESS, debut del neo yorkino Allan Holdsworth (ex Nucleous y Tempest), un músico no muy conocido pero grandioso. Lo descubrí bajando una colección de nwobhm, aunque de esto no tiene nada si bien nos pueda recordar algo al metal neo clasica por su digitacion con la guitarra, lo cierto es que llega a ser bastante heavy por momentos a la par que funky, de ahi la influencia del Blow by Blow de Beck. 

👀👀👀👀

Tracks:

1. Good Clean Filth

2. Floppy Hat (Alternate Take) *

3. Wish

4. Kinder

5. Velvet Darkness

6. Karzie Key

7. Last May

8. Gattox

9. Good Clean Filth (Alternate Take)

10. Kinder (Alternate Take)

11. Velvet Darkness (Alternate Take)

12. Karzie Key (Alternate Take)

13. Gattox (Alternate Take)

* This track is not listed as being an alternate take but is DEFINATELY different from the version that appears on the original LP release of this recording

Personnel:

Allan Holdsworth: Electric Guitar, Acoustic Guitar, Violin

Alphonse Johnson: Bass

Alan Pasqua: Piano

Narada Michael Walden: Drums

Originally released in 1976 on CTI Records. Catalog Number: CTI 6068

Also released in 1976 on King Records.

Also re-issued on compact disc in 1990 on Epic Associated Records. Catalog Number: ZK 45482

Also re-issued on compact disc in 1994 on King Records as a Japanese only CD. Catalog Number: KICJ 8066

Also re-issued on compact disc in 1997 on CTI Records as a Japanese only CD. Catalog Number: KICJ 8215

Also released in 1997 on an unknown label in Japan as a bootleg CD. An original copy of the vinyl LP album was transferred to CD!!

¿Por qué el universo Fallout esta basado en los 50s?

Hace poco descubrí que el magnifico universo de Fallout es aún mucho más profundo de lo que yo pensaba, hay un por qué muy interesante que justifica su estética más allá de que esta guapo, cimoc, o la ciencia ficción clásica.. Resulta que pasan dos cosas, una de ellas que en los 40s de ese universo la humanidad derivó para la energía nuclear a muerte en vez de hacia los transistores y microchips, lo cual hizo el efecto contrario a lo que conocemos hoy, todo era cada vez más grande y la energía lejos de escasear cada vez abundaba más; Al mismo tiempo los ordenadores y televisiones quedaban atrasados con un hardware y software propio de los 50s, la excasez de recursos y la guerra por ellos llegaría pero ya a finales del siglo XXI. Por otra parte y esta segunda es la que más me gusta, los tecnocratas de ese universo y filosofos al servicio de los ejercitos se dieron cuenta de una observación y es que la humanidad lleva desde la edad media intentando predecir como sera el futuro, cada etapa con su caracteristico retro futurismo pero al final todas ellas fallan, el futuro siempre resulta muy muy distinto. Por ello en EEUU sobretodo, el gobierno decide estancar a posta su cultura en los 1950s para así tener ese factor controlado y no pase como en nuestra línea del tiempo que aparezcan modas degeneradas como el wokerismo que acaben por consumir toda la humanidad; y como la gente es estúpida y sigue todas las modas pues nunca se plantean que se les ha impuesto una moda que va a durar por siglos.. a igual que pasa hoy..

Es mi sueño hecho realidad un mundo estancado en los 50s y que como mucho llega hasta los 60s como se ve en los restos de Nueva California con referencias a los primeros hippies y movimientos folk de los 60s. Los ''totalitarismos'' son una mierda, fallout es la mejor critica al capitalismo que se ha hecho en la fantasía pero en este aspecto estoy completamente de acuerdo con lo que las elites Chinas, Estado unidenses, Sovieticas y europeas de este mundo decidieron. Una agenda 2077 patriarcal de los 50s.. solo que les fallo Vaul-tec y el capitalismo salvaje quienes no contentos con eso, destruyeron el mundo. Me encanta como ponen tambien a la faccion alienigenas, poco mas que en los Simpsons, unos hijos de puta que simplemente estan observando y experimentando, como seguramente es en la vida real

ARAGORN - The Suite (1973 Merry Go Round records) Aussie progressive rock Jethro Tull influenced

Otro para nuestra colección Tolkien 70s, lamentablemente perdimos a cirith ungol por copyright, Aragorn son una de esas bandas hippiescas australianas donde la influencia de Tolkien tuvo especial peso al igua que en California y paises nordicos. Su estilo y inspiración tiene una clarisima influencia andersoniana, quizas tambien se inspiraron en Renaissance y Black Widow

Australian progressive rock band in 1973-1974

Forerunner of Snakes Alive. Their 1973 recording, 'The Suite', was released 50 years after it was recorded. Dont be confused with the UK '78 band which we'll bring back too soon

👀👀👀👀

A1 Creatures Of The Night 00:00

A2 Rivendell 03:19

A3 Wonder 07:10

A4 Rivendell South 11:59

A5 Land Of A Mordor 12:47

A6 Trees And Grass 16:35

A7 East Of Greyhaven 18:40

B1 A History Book 22:52

B2 Thuner 26:24

B3 Grove 29:23

B4 Sky 31:24

B5 Dark Lord 32:44

B6 Rivendell East 35:16

B7 Aragorn 36:56

B8 Ends Of Time 39:48

B9 Dance Of The Ring 41:40

Recorded at Clover Studios, Sydney, Australia in September, 1973. Mixed at EMI Studios, Sydney, Australia in February, 1974.

Bass, Producer [Produced By], Recorded By, Mixed By, Mastered By – Michael Vidale

Drums, Percussion – Peter Nykyruj

Electric Guitar – John Simpson

Flute, Acoustic Guitar, Vocals – Jonas Sayewell

Piano, Keyboards, Vocals – Oleg Ditrich

MANTRA - Mantra (1979 Vinyl Rip) Spanish progressive rock

Mantra, a Spanish band from Cádiz, released their self-titled debut album in 1979, but they were playing since 1969 and specially in Cadiz music festivals, one of the most important festivals in Spain of the era. This album, often referred to as "un granito de arena" (a small grain of sand) in the Spanish rock scene, is a masterpiece that deserves to be rediscovered and appreciated. The album's sound is a blend of progressive rock, symphonic rock, and hard rock, with intricate arrangements and complex song structures. The music is characterized by lush guitar work, soaring keyboards, and driving rhythms. The band's sound is heavily influenced by British progressive rock bands like Yes, Genesis, and King Crimson, but with a distinctly Spanish flavor. The album's opening track, "En el Umbral," sets the tone for the rest of the album, with its majestic instrumental intro and soaring vocals. The song's tempo changes and time signature shifts are reminiscent of Yes's "Close to the Edge." The following track, "Más Allá," features a catchy guitar riff and a memorable chorus, showcasing the band's ability to craft hooks and melodies

Lead vocalist and guitarist Carlos García's voice is one of the album's standout features. His powerful and emotive delivery adds depth and nuance to the songs, often conveying a sense of longing or introspection. His guitar work is also impressive, with intricate fingerpicking and soaring solos. The lyrics are largely introspective and poetic, exploring themes of love, spirituality, and self-discovery. The songs often feature abstract metaphors and vivid imagery, adding to the album's mystical and dreamlike quality. The production quality is surprisingly high considering the album's age. The mixing is clear and well-balanced, allowing each instrument to shine. The sound is warm and intimate, with a distinctive warmth that adds to the album's charm. Mantra's self-titled debut has had a significant influence on the Spanish rock scene, inspiring generations of musicians and fans alike. The album's unique blend of progressive rock and symphonic elements has made it a staple of Spanish rock music. Mantra - Mantra (1979) is a hidden gem in the world of Spanish rock music. The album's intricate arrangements, soaring vocals, and poetic lyrics make it a must-listen for fans of progressive rock and symphonic music. Even after decades since its release, the album remains a testament to the band's innovative spirit and musical genius. If you're looking for a journey through the Spanish rock scene's golden era, look no further than this album

👀👀👀👀

1. En el Umbral

2. Más Allá

3. La Luna en el Estuario

4. La Orilla del Mar

5. El Jardín de los Sueños

6. En la Montaña

7. El Lamento del Viento

8. La Hora de la Verdad

**Band members:**

* Carlos García - lead vocals, guitar

* Antonio González - guitar

* Juan Carlos García - keyboards

* Jorge González - bass

* Antonio García - drums