DELETED FROM THE MAIN CHANNEL cause minor technical issues and heavy OCD and PTSD
search interest: shellshock 2 nam 67 OST
"La última esperanza del hombre antes de convertirse en una máquina dirigida es su fantasía"
DELETED FROM THE MAIN CHANNEL cause minor technical issues and heavy OCD and PTSD
search interest: shellshock 2 nam 67 OST
Os recomiendo usar Qbittorrent para bajar tanta obra maestra (solo bootlegs) la discografia de estudio tambien la tengo muy completa pero es que ayer un estudiante de musicologia una universidad australiana me escribio un correo solicitando informacion y archivos de un determinado concierto de los Airplane, asi de paso y con un poco de suerte consegui subir mi discografia bootleg entera (flac y mp3) probablemente la discografia en directo mas completa de los airplane que hay en la red. Es una locura muchos de estos archivos estan practicamente ripeados de la cinta original sin más y sin editar jamas
1968.10.28 Fillmore
1969.05.09
1969.10.25 Winterland wv
1969.10.26 Winterland wv
1969-10-31
JA.1969.10.31
d1
d2
1969-11-00+11 Matrix, San Francisco [FLAC] Remaster 59.11
1969-11-22
ja69-11-22.flacf
1969-12-06
ja1969-12-06 Altamont
1969-xx-xx
Jefferson Airplane 1969-x-x Fillmore West, SF, CA MAR Flac16
ja67-05-19.sbd.unknown.sbefix.flac16
ja1966-01-14,15
ja1966-10-01.sbd
ja1966-11-25.sbd.miller.98638.flac16f
ja1966-11-26.sbd.miller.98639.flac16f
ja1966-11-27.sbd.miller.98640.flac16f
ja1967-03-04.sbd.reelmaster.dat.flac16.NOT SHAREABLE
ja1967-03-05.partial.sbd.reel master.cass.dat flac16.NOT SHAREABLE
ja1967-06-17.sbd.TM.Remaster
ja1967-07-16.aud.flac16
ja1968-02-01.sbd.flac16
CD1
CD2
Jefferson Airplane 1968-xx-xx Los Angeles,CA Jonathan Winters Show Mk2-TV
Jefferson Airplane 1969-05-07 Polo Field, Golden Gate Park, S.F., CA SBD Flac16
Jefferson Airplane_1969-10-10 Vancouver (off master)
CD 1
CD 2
1965.11.06 Calliope Warehouse, San Francisco, CA
1966.07.22 Avalon
1966.09.23 Winterland
1966.09.30 Winterland Arena
1966.10.01a Winterland wv
1966.10.01b Winterland wv
1966.10.02 Fillmore Auditorium
1966.10.07 Winterland wv
1966.10.08 Winterland wv
1966.10.09 Fillmore wv
1966.10.14 Fillmore Auditorium
CD1
CD2
1966.10.14a Fillmore wv
1966.10.14b Fillmore wv
1966.10.15 Fillmore Auditorium
1966.10.15a Fillmore wv
1966.10.15b Fillmore wv
1966.10.16 Fillmore Auditorium, San Francisco, CA
1966.10.16a Fillmore wv
1966.10.16b Fillmore wv
1966.10.25 Fillmore Auditorium, San Francisco, CA
1966.11.06 Fillmore Auditorium, San Francisco
1966.11.06a Fillmore Auditorium wv
1966.11.06b Fillmore Auditorium wv
1966.11.25 Fillmore Auditorium wv
1966.11.25 Fillmore Auditorium, San Francisco, CA (Love To All)
1966.11.26 Fillmore Auditorium, San Francisco, CA (Peyote)
1966.11.26a Fillmore Auditorium wv
1966.11.26b Fillmore Auditorium wv
1966.11.27 Fillmore Auditorium wv
1966.11.27 Fillmore Auditorium, San Francisco, CA (Peyote)
1967.01.08 Webster Hall wv
1967.01.08 Webster Hall, Greeenwich Village, NY
1967.02.04 Fillmore Auditorium, San Francisco, CA
1967.02.04a Fillmore wv
1967.02.04b Fillmore wv
1967.02.05a Fillmore wv
1967.02.05b Fillmore wv
1967.02.06 Fillmore Auditorium, San Francisco, CA
23a Jefferson AIrplane - Fillmore 6 Feb 1967
1967.02.06 Fillmore wv
1967.03.04 Cafe A Go Go, New York, NY
1967.03.05 Cafe A Go Go, New York
23b Jefferson Airplane - Cafe A Go Go 5 March 1967
Jefferson Airplane - Cafe A Go Go 5 March 1967
1967.03.10 Winterland
1967.03.11 Winterland
1967.03.12 Fillmore
1967.03.12a Fillmore wv
1967.03.12b Fillmore wv
1967.05.19 Men's Gym Cal State Polytechnic College, San Luis Obispo, CA (Love To All)
1967.06.16 Fantasy Fayre, Devonshire Meadows, Los Angeles, CA
1967.08.04 O'Keefe Center, Toronto, ON, Canada
1967.08.05 O'Keefe Center, Toronto, ON, Canada
1967.08.05b O'Keefe Center wv
1967.08.05b O'Keefe Center, Toronto, ON, Canada
1967.09.15 Hollywood Bowl
CD1
CD2
1967.10.14 Winterland
1967.12.31 Winterland
1967.12.31 Winterland wv
1967-10-05
ja1967-10-05 Rehearsal Discs
JA1967-10-05v1
JA1967-10-05v2
1968.01.30 Matrix
CD1
CD2
1968.02.01 Matrix
CD1
CD2
1968.02.01 Matrix wv
1968.05.18 Northern California Folk Rock Festival,
1968.05.18 Shrine Exhibition Hall, Los Angeles, CA
1968.05.21 Carousel Ballroom, San Francisco, CA (Jefferson Airplane and Friends)
CD1
CD2
1968.07.28 Rancho
1968.08.28 Falkoner Teatret, Copenhagen, Denmark
1968.09.10 Musikhalle, Hamburg, Germany
1968.09.15 Concertgebouw, Amsterdam, Netherlands
1968.10.17 Electric Factory, Philadelphia, PA
1968.10.26 - Fillmore West SF CA
UPDATE 2026: COMO NO, COMO NO.. el dueño de la discografica es el tipico narcisista.. me salta un aviso en youtube ''no se puede subir este video porque ya se han enviado anteriores reclamaciones asociadas con él'' menos mal que por lo menos ahora youtube avisa.. BRUTAL.. ni que el tio ese que es una discografica que no tiene ni 5 dias tuviese los derechos absolutos.. es como si mi tienda de discos de vinilo local de mi ciudad se pone a mandar strikes.. (que puede) es una locura.. los deja a canales como el mio a la altura del betun.. que asco de copyright de narcisistas y de capitalismo.. mira que no quiero meterme mas en politica y generar mas ''beef'' pero tio es que estas mierdas..
Este es un magnifico aircheck grabado por KAZZ FM y retransmitido por la famosa radio sicodelica durante una sesion en vivo con temas muy buenos
The 13th Floor Elevators - 1966-02-22 & 03-16, New Orleans Club, Houston, TX, KAZZ, Pre-FM, 56:14, ROK CD 55
1966-02-22, 26:11
1) Gloria
2) You're Gonna Miss Me
3) Tried To Hide
4) Roller Coaster
5) You Really Got Me (fades out)
-----------------------
1966-03-16, 30:03
6) Station Introduction
7) The Word
8) Monkey Island
9) Roller Coaster
10) I'm Down
11) Gloria
12) You're Gonna Miss Me (fades out)
A LewsiVer Production
On August 9, 1995, the world lost Jerry Garcia. More than just a musician, he was a pillar of the hippie movement or, more accurately, its very soul. As the creative engine behind the legendary Grateful Dead, Garcia carried a unique heritage; his paternal lineage traced back to the Galician village of Sada in A Coruña, Spain. It was from there that his grandfather set out, eventually landing in California in 1918. Garcia’s obsession with music began in his youth, sparked by his older brother’s record collection. Immersed in the sounds of Ray Charles, B.B. King, and Chuck Berry, he developed a lifelong passion for melody. Interestingly, for his 15th birthday in 1957, his parents gave him an accordion. However, Jerry wasted no time trading it for a guitar, having realized that his destiny lay within rock 'n' roll. This musical awakening coincided with a growing defiance toward social norms and a desperate urge to escape his hometown to see the world. In an ironic twist, he sought this freedom by joining the U.S. Army at age 17. His stint at Fort Ord was short-lived, however. After only three months, the military discharged him, citing an "absolute inability to adapt to the military lifestyle."
By late 1961, Garcia was busking and playing folk and bluegrass in the cafes of Palo Alto. It was here, around 1964, that he teamed up with friends Bob Weir and Ron "Pigpen" McKernan to form Mother McCree's Uptown Jug Champions, the ensemble that would eventually evolve into the Grateful Dead. This era also marked his introduction to LSD, a substance he claimed fundamentally altered his perspective. He later told Rolling Stone that the drug liberated him from the "fiction" of trying to lead a conventional, orderly life. In 1966, the band relocated to a communal residence at 710 Ashbury Street in San Francisco. This house became the beating heart of the local scene, famous for hosting free neighborhood concerts. Through this lifestyle, the Dead became the definitive musical and social icons of the hippie revolution. "Jerry was like a father, a brother, and a friend to everyone in Haight-Ashbury," Janis Joplin once remarked. "If you were hungry, you could go to the Dead’s place and Jerry would make sure you had something to eat. They were a true commune." The band’s mythos grew even larger through Garcia’s relationship with Carolyn "Mountain Girl" Adams, who had previously been involved with the "Merry Pranksters" the nomadic group famous for their drug-fueled bus trips across America, chronicled in Tom Wolfe’s classic The Electric Kool-Aid Acid Test. Musically, the Grateful Dead revolutionized the industry. While their studio albums like their debut were hits, their true magic was found on stage. Long before the epic jams of Jethro Tull or Led Zeppelin, the Dead pioneered the idea of the live experience as a living organism. Instead of playing songs exactly as recorded, they embraced total improvisational freedom. This "limitless flow" is best captured in live masterpieces like ''Live The Dead'' in 1969
Garcia was a political firebrand in his own quiet way. A committed pacifist, he was a fixture at anti-Vietnam War rallies and a vocal critic of the Nixon administration. He was also a staunch advocate for the decriminalization of marijuana and psychedelics, embodying the values of his generation. As the decades passed, the mainstream spotlight faded, and Garcia’s health began to decline. By the late 70s, he surprisingly got struggled with an addiction to smoked heroin. Combined with heavy smoking, sleep apnea, and weight issues, his physical state began to affect his performances and his voice, similar situation of Bob Hite from Canned Heat. Following diabetic comas in 1986 and 1992, he briefly embraced a healthier lifestyle, becoming a vegetarian and quitting cigarettes. Unfortunately, a relapse into drug use led to a heart attack in the summer of 1995. During his recovery in the early hours of August 9, a second heart attack proved fatal. Its incredible how an artists like him and in that era went through psychological problems and addictions like these who killed him, next article will be about that
The Grateful Dead’s history with Spain is defined by a single, legendary encounter that took place on October 19, 1981, at the Palacio de los Deportes in Barcelona. Serving as the grand finale of their European tour, the concert drew an eclectic crowd of roughly 6,000 people, ranging from local Spanish hippies who had waited decades for the moment to American Deadheads following the tour and even U.S. Marines from the Sixth Fleet, which happened to be docked in the city's port at the time. The band delivered a quintessential performance split into two long sets, highlighted by a culturally fitting "Spanish Jam" that leaned into the Phrygian scales reminiscent of flamenco, creating a profound connection with the local audience. Despite the high energy on stage, the visit also hinted at Jerry Garcia’s declining physical state, as he reportedly needed assistance leaving the venue for his hotel immediately after the show. Although the night was hailed by the Spanish press as a spiritual resurrection of 1960s counterculture in a post-transition Spain, the band never returned to the country, leaving that solitary Monday night in Montjuïc as the only time the San Francisco sound ever truly echoed on Spanish soil