Buscador del blog: Bands, ALbums, Links, full comics, soundtracks.. etc..

martes, 12 de diciembre de 2017

Acabo de pillar unas demos de armageddon que madre mia, madre mia.. Y son varios temas como para hacer un disco encima, ya mismo los traigo pense que jamas vería a la luz algun demo de armageddon a parte de aquel sweet dreams auew habia rodando por internet hace unos años.

Acabo de pillar unas demos de armageddon que madre mia, madre mia.. Y son varios temas como para hacer un disco encima, ya mismo los traigo pense que jamas vería a la luz algun demo de armageddon a parte de aquel sweet dreams auew habia rodando por internet hace unos años.

lunes, 11 de diciembre de 2017

Armageddon - Armageddon (1975) Lyrics, letras de los temas.


Señores llegó ese gran día xDD ya tengo las letras de los temas, no estaban en la red y daba la casualidad de que en mi elepé no venía con la funda interior que traía las letras de los temas pero hablando con gente que tiene el disco han subido los temas a una pagina que se llama lyryc wikia y ya los tenemos por fin. Respecto a la letra nada que no hubiera dicho antes, es un disco conceptual que trata sobre "el armageddon" delq ue se hablaba tanto en 1975 ya fuera por la guerra fría o por que coincidía con e año del armageddon bíblico pero sin embargo las letras del album la mayoría son más bien metafóricas, puede que para algunos sea un album semi-conceptual porque habla también del rock n roll, de los amigos perdidos y incluso temática romantica pero si te fijas todo es metafóricamente como una despedida ante la inminente destrucción. Habla también del poder, el ego, el orgullo, cosas que caracterizan a los hombres y que esta vez en ese momento de la historia se estaban poniendo a prueba más que nunca con el inminente peligro de la guerra nuclear al acecho. En verdad como en Watchmen, es un disco bastante nihilista por eso es de mis favoritos.

[Escritos a lo largo 1974, grabados en Octubre de 1974, publicados en Mayo de 1975]

Riding high on burnished wings
And with a brazen eye
The buzzard waits to take its pick
Waiting on that helpless cry
In the time it takes
The moment that you're right off guard
Bridges that you thought you'd crossed
Got to cross 'em all again

Just as lightning strikes
Before the thunder
The buzzard falls upon its prey
Before it has a chance to wonder
But the meek will stand
Understanding nature
Seeing far beyond the plan
Take their place in time
Take their place in timeless structure

Out, out of the dark surrounding shadows
Tearing apart – trying to get to me
Sometimes you'll see, sometimes you'll feel
Colder than steel, instantly real

Burn, burning with fire, from the depths of time
Enter my space to take my grace from me
Slither and slide, ready to hide
Far down inside – waiting with pride

Written by:
Martin Pugh, Bobby Caldwell and Keith Relf.

Silver Tightrope
I close my eyes to worldly skies
I leave behind the day
And deep within me, I shall begin
To chase my thoughts away
As loved ones hold me to their sides
Their strength flows into me
To cast me out of sorrow's blindness
Into eternity

I thought I heard them softly calling
The voices of the spheres
As light years flash forever falling
Away from waking fears
I reach out, try to touch the passing
Of beings bathed in light
But they just smile, their eyes not asking
To see beyond their sight

Ooh silver tightrope
Ooh silver tightrope
Ooh silver tightrope

I thought I saw the candle-bearers
On their way to the beyond
Beckon to me from the future
To come and join the throng
I stepped upon the silver tightrope
Balancing beliefs
And wings unfurling with a new hope
I left behind my griefs

Ooh silver tightrope
Ooh silver tightrope
Ooh silver tightrope
Ooh silver tightrope
Ooh silver tightrope
Ooh silver tightrope

Ooh silver tightrope
Ooh silver tightrope
Ooh silver tightrope
Ooh silver tightrope
Ooh silver tightrope
Ooh silver tightrope

Written by:
Martin Pugh, Bobby Caldwell and Keith Relf.

Paths And Planes And Future Gains
Silver trumpets call
Herald shining armour
Armour so bright
That the blind will fall

Standing face to face
Eye to eye with no one
Falling sometimes
Never letting go

And the awesome foe
Waits in darkened corners
Fearing all light
Fearing sacred sight

Shining chariots
Bearing sacred souls
Ride the surface
Of the deepest holes

Calling on my forces
Witnessing the source
Stand and face the moment
Waiting on its course
Standing on the mountain
Valley all in cloud

See another mountain
Calling from the shroud
Paths that wander nowhere
Wasting precious time
Witnessing the forces
Calling on the source

Reaching out for something
Knowing that it's there
I face the precious moments
Holding if I dare
Standing on the mountain
Valley all in cloud
See another mountain
Calling from the shroud

Written by:
Martin Pugh, Bobby Caldwell and Keith Relf.

Last Stand Before
Jumping Jack flash in the pan
Took a look and ran
Wanna buy tomorrow
Gonna leave it locked in the can

Lucy's out falling about
Trying to find her man
Sold her rings, all her things
Sell herself if she can
I know she will

Henry's eyes tell no lies
Thinks he's got it made
Super cool, he's no fool
Nothing makes him afraid
But the darkness

On the phone no one's home
Always out on the town
On the streets, dragging their feet
I've gotta find a place to lay down
From the night-time

Lost a friend
Met his end way before his time
Tried it once, tried it twice
Didn't notice the signs

Rock and roll, moving your soul
Took a few as well
On the line, out of time
Shooting stars that all fell

Oh Lord, do something, gotta slow it down
It's coming on too fast, can't take it
Feel like I'm gonna drown

Gonna stand and face it, but I need you near
Through the darkest hours, I'm calling
Sometimes I think you don't hear me calling
Hear me calling

My brother's falling, I'll catch him if I can
My brother's falling, I'll catch him if I can
My brother's falling, I'll catch him if I can
I see him falling, join him in his last stand

All the questions and all the lies
Will soon be answered to your surprise
All the doubting and all the tears
Will fall to ashes across the years

Written by:
Martin Pugh, Bobby Caldwell, Keith Relf and Louis Cennamo.

Basking In The White Of The Midnight Sun

a) Warning Comin' On


b) Basking in the White of the Midnight Sun

Sitting on a lonesome beach
Holding shadow in one hand
Of a lovely flame I once called mine
On a patch of blazing white sand
Oh, princess, do you have to be so bold
I've read those signs that line your road before

But it's too bad you had to go away
Gone tomorrow, but I see you today
But it's too bad you had to go away
Like the sorrow of a one act play
It was years before on that sultry day
The wind was warm for months and days
But you'll be here on the hot summer nights
And you'll be here on the cold winter nights
And we won't worry what's wrong or right
Basking in the white of the midnight sun

Oh, darling, darling, don't you fly too soon
My love's burning red like the summer skies in June
And space and time speak the only truths
And legends tell the story of the past
But paste pictures took her final toll
But as they say, all things gonna pass

It's too bad you had to go away
Gone tomorrow, but I'll see you today
It's too bad you had to go away
Like the sorrow of a one act play
Like the sorrow of a one act play
But you'll be here on hot summer nights
But you'll be here on the cold winter nights
And we won't worry what's wrong or right
Basking in the white of the midnight sun
Basking in the white of the midnight sun

c) Brother Ego

Brother Ego like a moth 'round a flame
Burn your wings yet again and feel the pain
On a fool's trip take a turn to the left
Scream and shout, fall about, but leave it out

How I long for you to warm yourself
On my soul, in my heart it hurts apart
But instead I'm in trouble again
You're outside right beside me, standing in the cold

Brother Ego, running round in circles
Why don't you come on home that's shining on
Shining on forever more

d) Basking in the White of the Midnight Sun (Reprise)

Your passing by just beyond my reach
Has left me here without the power of speech

And leaning on the only form I know
I wonder if I should stay or go
But going is a thing I couldn't face
I've got to spend my time upon this place
It's too bad I've got to be alone
The feelings will surely be outgrown
It's too bad I've got to be alone
The seed's there, I know it has been sown
I remember when you held me to your soul
I thought that I had reached my final goal
But you'll be here in my thoughts and in my heart

No distance will keep us apart
And we won't worry what's wrong or right
Basking in the white of the midnight
Basking in the white of the midnight
Basking in the white of the midnight sun
Basking in the white of the midnight
Basking in the white of the midnight
Basking in the white of the midnight sun

Written by:
Martin Pugh, Bobby Caldwell and Keith Relf (except "Brother Ego" by the above plus Louis Cennamo).

sábado, 9 de diciembre de 2017

Blade Runner Collection Deluxe

Blade Runner Collection Deluxe: Hoy traigo una colección muy especial que me ha costado mucho trabajo compilar y que en ningún sitio en la red la vais a encontrar tan co...

Bootleg-ticos: Black Sabbath live at hollywood 1972 & Bloody Sabbath 1980

BLACK SABBATH  - "Hollywood Bowl. September. 15, 1972"
Hollywood Bowl, Hollywood, California
September 15th, 1972
Good to Excellent Audience Recording (Se escucha muy bien en flac aunque las pistas mp3 están algo pobres a 228kbps) aconsejo escuchar la pista flac o youtube.
diseño personal de la caratula.

Notes: for an outdoor audience recording I was very surprised the first time I heard this one, definitely a keeper for the Sabs out there, just pure power throughout! Killer shit ;)

Ozzy Osbourne – Vocals
Tony Iommi – Guitar
Geezer Butler – Bass
Bill Ward – Drums

01 Tomorrow's Dream
02 Sweet Leaf
03 War Pigs
04 Snowblind
05 Iron Man
06 Under The Sun
07 Wheels Of Confusion (cut)
08 Children Of The Grave

Bloody Sabbath - Live At Hartford Civic Center
Civic Center, Hartford, Connecticut, USA

Format: 1 LP
Label: -
Catalogue number: -
Matrix number: K-B-I / K-B-II 
Coutry: USA
Released: 1980


01 War Pigs
02 Neon Nights
03 Children Of The Sea
04 Heaven And Hell
05 Die Young

Line up:

Ronnie James Dio : vocals
Tony Iommi : guitar
Geezer Butler : bass
Bill Ward : drums

Peazo label ehh JAJAJAJA

vinyl rip by Mike DeLaila 

record player: Technics SL-1210 MK2 w/ Ortofon Concorde PRO S system
digital recording: Tascam DR-07 - 24 bit/48 kHz, wav 

track spliting & editing: CD Wave Editor
converted to FLAC: dbpoweramp Music Converter  


Comunidad del #FFVinilo: Black Sabbath Outtakes [Deluxe Editions] 1969-1971... +[1969 single .flac]

Comunidad del #FFVinilo: Black Sabbath Outtakes [Deluxe Editions] 1969-1971...: Hoy traigo una entrada un poco rara pero necesaria, veréis como fanático de Black Sabbath os he traído ya al blog por lo menos los 4 primer...

miércoles, 6 de diciembre de 2017

Más Creedence: Creedence & Jerónimo - Spirit Orgaszmus (1970, Bellaphon Records) 🇩🇪

No, no son los Creedence y Jerónimo grabando un disco juntos, es un recopilatorio alemán bastante raro del año '70 donde por una cara tenemos temas salteados de la Creedence de entre 1968-69 y por la cara B tenemos temas salteados del debut de Jerónimo "Cosmic Blues" del año '70, seguramente si el recopilatorio llega a salir a finales de 1970 hubieran metido temas del Cosmo's Factory como run through the jungle que son más duros y van más en consonancia con Jerónimo o podrían haber metido temas del Bayou country pero en fin es un recopilatorio buenísimo igualmente, más tirando para psicodelia en general y blues no busca ser pesado, busca que te relajes con la Creedence al principio y luego meterte la tralla de jerónimo, puro blues USA vaya. Todo muy indio xdd

Es muy curioso querer juntar a estas dos bandas, los clásicos Creedence y los nuevos Jerónimo, para mucha gente esta claro que jerónimo fué una versión más pesada de Creedence pero músicas dentro de un mismo rollo y estilo country-rock-blues. A mi personalmente de Jerónimo lo que más me gusta es el album de 1972 "Time Ride" es un flipe.

A1 –Creedence Clearwater Revival It Came Out Of The Sky
Written-By – J.C. Fogerty*

A2 –Creedence Clearwater Revival The Night Time Is The Right Time
Written-By – Herman*, Cadena*
A3 –Creedence Clearwater Revival Ninety-Nine And A Half
Written-By – Cropper*, Pickett*
A4 –Creedence Clearwater Revival The Midnight Special
Written-By – J.C. Fogerty*
A5 –Creedence Clearwater Revival Porterville
Written-By – Fogerty*
A6 –Creedence Clearwater Revival Cross-Tie Walker
Written-By – J.C. Fogerty*

B1 –Jeronimo (2) Heya
Written-By – R. Markley*, J. P. Stalling*
B2 –Jeronimo (2) Hands
Written-By – H. Born*
B3 –Jeronimo (2) So Nice To Know
Written-By – H. Born*
B4 –Jeronimo (2) The Light Live Needs
Written-By – H. Born*
B5 –Jeronimo (2) Number 5
Written-By – H. Born*
B6 –Jeronimo (2) No No No
Written-By – H. Born*

Released with an additional poster. 

Made in Germany.



Creedence Clearwater Revival.. 🇺🇸 Fantasy Sessions '70 + early works 1966-67.

En este enlace ↯↯↯↯ y en los que os traigo cada vez que he subido un vinilo de la CCR a FFvinilo tenéis la discografía completa de estudio más dos bootlegs que es los que voy a presentar hoy, dos bootlegs magníficos que complementan de lujo la discográfica de estudio, bootlegs de CCR hay muchos sobretodo lives de entre 1969 y 1971 entre ellos el Woodstock pero lo que traigo hoy son las primeras grabaciones de la banda de 1966-67 antes incluso de que se llamaran como se llaman y unas grabaciones de Enero de 1970 en los estudios Fantasy (donde se grabo Cosmo's Factory) pero con el mítico teclista T Booker Jones, no tiene desperdicio.. es un sonido con mucha más presencia de teclados o directamente con presencia de teclados que le dan un toque más electrizante a los clásicos creedence. Por otra parte las primeras grabaciones cuentan con un toque muy Beat que mola mucho y es raro de ver en esta banda así como una formación distinta en algunos temas. Hay veces que parece enteramente que estas escuchando a Eric Burdon.

1 Jam Warm Up
2 99½
3 Proud Mary
4 Travelin' Band
5 Born On The Bayou
6 Down On The Corner
7 99½ Reprise
8 I Put A Spell On You
9 Final Jam

Bass – Donald "Duck" Dunn, Stu Cook
Drums – Doug Clifford
Guitar – Tom Fogerty
Lead Guitar – John Fogerty, Steve Cropper
Organ – Booker T. Jones
Vocals – John Fogerty

[Released in 1975, lp]

Action USA Promo Spot 1:04
Don't Tell Me No Lies 1:55
Little Girl (Does Your Mama Know?) 2:40
Where You Been 2:25
You Came Walking 1:49
You Can't Be True 2:41
You Got Nothin' On Me 2:11
Brown-Eyed Girl 2:26
You Better Be Careful 2:19
Fight Fire 2:22
Fragile Child 2:36
Walking On The Water 2:29
You Better Get It Before It Gets You 2:49
Porterville 2:20
Call It Pretending 2:07

Art Direction – Phil Carroll
Bass – Stu Cook
Drums – Doug Clifford
Lead Guitar – John Fogerty
Lead Vocals – John Fogerty (tracks: A7, B3 to B7), Tom Fogerty (tracks: A1 to A6, B1, B2)
Mastered By – David Turner (2)
Photography By [Cover Photo] – Phil Bray
Rhythm Guitar – Tom Fogerty
Written-By – John C. Fogerty* (tracks: A1 to B5), Thomas R. Fogerty* (tracks: A1 to B5)

😂😂😂😂😂😂😂😂😂 A ver las caratulas de estos bootlegs estaban bien de por sí pero yo he querido editar las mías propias y darles un toque más... más...  no podía coger ciervos normales, tenían que ser ciervos del "Paleolítico" jajajajajajajajaja es un Elk irlandés o Alce irlandés "Megaloceros giganteus" que se extinguió a finales del pleistoceno donde también se extinguieron de forma masiva muchas de especies de humanos que habitaban en la tierra, fué un periodo de intensas glaciaciones, no es realmente del paleolítico es anterior, pero para que os hagáis una idea esta un poco antes del mismo, quizás algunos fósiles vivientes llegaran a sobrevivir hasta el paleolítico. lo de la etiqueta dinosaurios es porque esto es un blog de música no creo que me vaya a poner a hablar mucho de animales pero si sale de vez en cuando algo así pues esta bien tener una etiqueta genérica que la tengo puesta por jurassic park que a ver cuando subo la bso completa.


domingo, 3 de diciembre de 2017

Steamhammer - Mountains (1970) 🇬🇧

Hoy traigo la banda de Martin Pugh guitarrista de nuestro querido Armageddon antes de estar en armageddon en 1970 en el 3º elepé de Steamhummer producido a su vez por Keith Relf donde se conocerían. Puro blues psicodélico británico a medio camino entre prog y psych con algunos tintes algo pesados en algunos momentos pero sin llegar a considerarlo como un album de heavy psych. Tiene unos toques muy yankees en el sentido de blues americano, música de carretera y esas cosas; algunos temas del album son en directo.

La banda procede de Whorthing, Inglaterra y su andadura comenzó en 1.968. En su  primera formación teníamos a Quitteton, White y Martin Pugh a las guitarras, Steve Davy al bajo y Michael Rushton a la batería. El mismo año de su fundación realizan una gira junto a Freddie King.  Esto les sirvió para firmar con CBS y grabar su primer LP, "Steamhammer" donde podemos escuchar algunas versiones de sus amados bluesman, B.B. King o Eddie Boy. Concluida la grabación se producen las primeras deserciones, Quitteton y Rushton abandonan la banda y son sustituidos por Jolliffe,vientos, y Mick Bradley, batería.  Esta formación, en el 69 graban su segundo disco "MK II" con un aire mucho más progresivo debido a la intervención de Jolliffe que abandonaría el grupo después de la gira. En 1.970 llega "Mountains" para muchos su mejor trabajo. Volvieron a producirse cambios en su formación para la grabación de su cuarto disco "Speech" que contenía únicamente tres largos temas que no alcanzaban la calidad de trabajos anteriores. Ese mismo año, 1.972, decidieron separarse.

A1 I Wouldn't Have Thought (Gophers Song)
Written-By – White*, Pugh*
A2 Riding On The L & N
Engineer [Live] – Geoff Calver
Written-By – Burley*, Hampton*
A3 Hold That Train
Engineer [Live] – Geoff Calver
Written-By – White*, Pugh*, Bradley*, Davy*
B1 Levinia
Written-By – White*
B2 Henry Lane
Banjo – Keith Nelson
Written-By – White*
B3 Leader Of The Ring [esta trata sobre el señor de los anillos]*
Written-By – White*
B4 Walking Down The Road
Written-By – White*
B5 Mountains
Written-By – Kieran White

No es un album conceptual aunque pueda parecerlo.

Compañías, etc.
Made By – Metronome Records GmbH
Published By – Bosworth & Co. Ltd.
Recorded At – The Lyceum, London
Mastered At – Tonstudio Pfanz

Acoustic Guitar [Lead], Electric Guitar, Guitar [Bottleneck] – Martin Pugh
Arranged By – Steamhammer
Bass, Organ, Vocals – Steve Davy
Cover [Cover Art] – Chris Stepan
Drums, Percussion – Mick Bradley
Engineer – Geoff Calver (tracks: A2, A3)
Engineer [Recording, Mixing] – Martin Birch
Lead Vocals, Harmonica, Acoustic Guitar [2nd], Electric Guitar – Kieran White
Mastered By – G. F. Pfanz
Producer – Fritz Fryer

Track A2, A3 recorded live at the Lyceum
Track A2 Publishers: Bosworth & Co Ltd

℗ 1970

Super Stereo Sound
Made in Germany by Metronome Records GmbH
Gatefold sleeve



sábado, 2 de diciembre de 2017

Hamburger Hill Complete Soundtrack (1987)

Ahí solo falta el tema principal de la bso que si esta en el link mp3


He editado la caratula que parece un filme de terror, pero es que realmente es de terror, lo que paso allí sin duda fué una pesadilla y hoy quería recopilar la banda sonora que no existe editada ni en cd ni en vinilo ni nada a pesar de los buenos temas que tiene, todos licenciados excepto el tema principal compuesto por Phillip Glass. 

When A Man Loves A Woman
Written by Calvin Lewis and Andrew Wright
Performed by Percy Sledge platoon

Sittin' On The Dock Of The Bay
Written by Otis Redding and Steve Cropper
Performed by Otis Redding Mafia iii platoon

Ruby, Don't Take Your Love To Town
Written by Mel Tillis
Performed by Waylon Jennings

Gimme Some Lovin'
Written by Steve Winwood, Muff Winwood and Spencer Davis
Performed by The Spencer Davis Group

I Wish It Would Rain
Written by Barrett Strong and Norman Whitfield
Performed by The Temptations  Mafia iii

We Gotta Get Out Of This Place
Written by Barry Mann and Cynthia Weil
Performed by The Animals Mafia iii

I Second That Emotion
Written by Al Cleveland (as Alfred Cleveland) and William Robinson, Jr.

Subterranean Homesick Blues
Written by Bob Dylan
I Feel Like I'm Fixin' to Die Rag
Written by Country Joe McDonald
Performed by Country Joe and the Fish

Esta película también tiene bastante de esa ironía bélica de la que hable con anterioridad en otras entradas de películas del mismo tipo.

Mayo de 1969, 101° airborne, una de las batallas mas encarnizadas de la guerra y todo por conquistar una estúpida colina que ni siquiera era un punto estratégico de nada. Se le llamo colina 937 porque fueron los números que le tocaron, había cientos de colinas, miles de colinas. Pero los mandos se encabezonaron con las tropas que había en esa colina.

Esta película fué una más de todas aquellas del cine bélico de los 80s que trataron de retratar la realidad que vivió su país en las décadas pasadas. Otra gran referencia audiovisual a este acontecimiento histórico es su aparición en el juego bfbc2 vietnam aunque en este no trata de ser realista ni representar la realidad porque es un juego arcade no obstante esta bastante bien elaborado el mapa y es divertido que es el fin que tiene realmente.




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